Rooted in sculpture, materials are central to the work I make, from collected dust to gold thread, salt and wallpaper, chosen for the meaning they bring to the work.
Past work has often been temporary and precarious, with installations disappearing almost as quickly as they were made, this temporality has been an integral part of the work, the circularity of it both responding to history and then in turn becoming history. More recently I have begun working with film, using dancers as a way to feel and explore space, to convey ideas and relationships with domestic space, drawing on my own experiences and frustrations with the lack of value placed upon the hidden labour of domesticity.
